Daniel G. Harmann - The Lake Effect

The Lake Effect is the second release from Portland-based Daniel G. Harmann, and it’s clear that he is presenting himself as a deeply emotional and thoughtful person. Unfortunately, if you can’t understand a word the man says, this may be lost on you. This is the problem I’ve run into on the album. I’m not denying that the music is lovely; it is indeed, and for that reason alone, it’s worth a listen. But for me, someone who cares deeply about lyrics, the garbled vocals in what is described as a “delicate falsetto” leave much to be desired. It sounds like his jaw might just be wired shut. I find it frustrating, and I know the lyrics are printed in the liner, but that’s not the point. Just enunciate a little; that’s all I ask. Fortunately, the lyrics are sparse, and the album relies mostly on Harmann’s excellent music. So onto the music, which is the album’s saving grace. There is a very soft, sad tone throughout most of the record, which is enhanced by the use of cello and mellotron on songs like “Broken Will, Bleeding Heart” and “Ghosts of the New Harbor” respectfully. Using the barest of instrumentation (guitars, piano, bass, the aforementioned cello and mellotron, a few well-placed samples and little percussion), the melodies are often mournful and reminiscent of the dejected and lost feeling some of us have experienced from time to time. They luxuriate in their melancholy, and the acoustic flavor and seemingly-effortless production really make the most of Harmann’s musical prowess. Basically, if you can get past (or maybe appreciate) Harmann’s husky vocal style, The Lake Effect does have several redeeming qualities. The music itself is truly beautiful, and I suppose that once I memorize the lyrics, I won’t notice his lack of clarity as much. [www.hellotower.com]