Damiera - M(US)IC

Prog/math rock seems more like a subject in school than a musical styling, but with bands like Gatsby’s American Dream excelling in the genre, which is generally defined by its odd time signatures, quick dynamic changes and dissonant guitar tones, it's become clear that the genre has found its niche in the current music scene. With that comes New York City's Damiera and the band's debut full-lengthM(Us)Ic (which should be read as “Us in Music”). Having previously self-released the album on their own Tamerlane Records, the group is embracing the larger following Equal Vision can provide with a re-issue. The album itself is full of the complex timings and constantly-moving lead guitar riffs that define the style, as well as vocals that pack the necessary punch. Beginning with “Immure,” the band (David Raymond, vocals/guitar; Mark Henry, vocals/bass; Rock Whittington, guitar; and Bradley McRae, drums) makes it clear that they will hit you with everything they’ve got every chance they’re allowed. The guitar tones are crisp and tight, and McRae’s drumming sets the pace for what will prove to be an almost unrelenting album. In fact, as the album progresses, there seems to be no stopping these guys, as they continuously hit the groove and run with it. This approach serves them well, as the speed and difficult rhythms are two of the strongest points made on M(US)IC. The title track is one of the album’s best--though a slight refrain from the signature speed that the band has already laid out on the two previous tracks, it's by no means less technically adventurous. Other stand-out tracks include “Obsessions,” which is one of the shining moments for Whittington (a guitarist who may have one of the best guitarist names ever), though the timing of McRae and Henry should not be forgotten (especially listen for the incredible tempo shifts as the band moves from the first chorus into the second verse); “Flora: Yield” and “Via Invested,” all of which showcase the band at its peak. Still, the record isn't without its weak spots. The production, which manages to beautifully capture the raw feel of the band, also proves to be one of the album’s lesser points. The overall mix just seems a little off, as Raymond’s stirring vocals, which are reminiscent of Park’s Ladd Mitchell, Circa Survive’s Anthony Green or Moneen’s Kenny Bridges, get lost behind the wall of guitars and drums. The music is so well-done you almost wouldn’t care, but what you can hear of Raymond’s voice makes you want to hear more. With just a few knob tweaks, this definitely would have wholly improved the record. In spite of the above statements, though, M(US)IC shines due to the clear talent and skill of the musicians who've performed it. This is clearly the work of a band that is truly into its music. [www.damiera.com]